Each instrument has its own history, its voice. When I start a new instrument, a new adventure begins.
I do not know where it will take me but during this path I find myself enchanted and consumed by looking for a better voice or an intriguing aesthetics.
In the construction of my instruments I use Venetian and classic Cremonese models studying proportions,
curves and the style that characterizes every author of the 17th and 18th century in Italy.